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	<id>https://www.musician.wiki/w/index.php?action=history&amp;feed=atom&amp;title=Jefferson_Airplane</id>
	<title>Jefferson Airplane - Revision history</title>
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	<updated>2026-04-18T16:49:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://www.musician.wiki/w/index.php?title=Jefferson_Airplane&amp;diff=13&amp;oldid=prev</id>
		<title>Jasongeek: Created page with &quot;= Jefferson Airplane =  {| style=&quot;float:right; margin:0 0 1em 1em; border:1px solid #aaa; background:#f9f9f9; padding:8px; width:280px; font-size:0.9em; line-height:1.6em;&quot; |- ! colspan=&quot;2&quot; style=&quot;background:#ccc; text-align:center; padding:6px; font-size:1.1em;&quot; | Jefferson Airplane |- | colspan=&quot;2&quot; style=&quot;text-align:center; padding:6px;&quot; | Jefferson Airplane |- | style=&quot;font-weight:bold; padding:4px 8px;&quot; | Origin | San Francisco,...&quot;</title>
		<link rel="alternate" type="text/html" href="https://www.musician.wiki/w/index.php?title=Jefferson_Airplane&amp;diff=13&amp;oldid=prev"/>
		<updated>2026-03-15T17:16:21Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;= Jefferson Airplane =  {| style=&amp;quot;float:right; margin:0 0 1em 1em; border:1px solid #aaa; background:#f9f9f9; padding:8px; width:280px; font-size:0.9em; line-height:1.6em;&amp;quot; |- ! colspan=&amp;quot;2&amp;quot; style=&amp;quot;background:#ccc; text-align:center; padding:6px; font-size:1.1em;&amp;quot; | Jefferson Airplane |- | colspan=&amp;quot;2&amp;quot; style=&amp;quot;text-align:center; padding:6px;&amp;quot; | &lt;a href=&quot;/w/index.php?title=File:Jefferson_airplane.jpg&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;File:Jefferson airplane.jpg (page does not exist)&quot;&gt;250px|Jefferson Airplane&lt;/a&gt; |- | style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Origin | San Francisco,...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;= Jefferson Airplane =&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;float:right; margin:0 0 1em 1em; border:1px solid #aaa; background:#f9f9f9; padding:8px; width:280px; font-size:0.9em; line-height:1.6em;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; style=&amp;quot;background:#ccc; text-align:center; padding:6px; font-size:1.1em;&amp;quot; | Jefferson Airplane&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;text-align:center; padding:6px;&amp;quot; | [[File:jefferson_airplane.jpg|250px|Jefferson Airplane]]&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Origin&lt;br /&gt;
| San Francisco, California, US&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Genres&lt;br /&gt;
| Psychedelic rock, acid rock, folk rock&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Years active&lt;br /&gt;
| 1965–1972&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Labels&lt;br /&gt;
| RCA Victor&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Associated acts&lt;br /&gt;
| [[Jefferson Starship]], Hot Tuna, Quicksilver Messenger Service&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Members&lt;br /&gt;
| Marty Balin, Paul Kantner, Grace Slick, Jorma Kaukonen, Jack Casady, Spencer Dryden&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Jefferson Airplane&amp;#039;&amp;#039;&amp;#039; were an American rock band formed in [[San Francisco]], California in 1965. &lt;br /&gt;
Widely regarded as the first commercially successful band to emerge from the [[San Francisco psychedelic scene]], &lt;br /&gt;
they became one of the definitive acts of the [[counterculture of the 1960s]]. Their music blended &lt;br /&gt;
folk rock with psychedelic experimentation, and their concerts at venues such as the [[Fillmore Auditorium]] &lt;br /&gt;
helped define the [[Summer of Love]] era.&lt;br /&gt;
&lt;br /&gt;
Jefferson Airplane performed at several landmark events of the era, including the [[Monterey Pop Festival]] (1967), &lt;br /&gt;
[[Woodstock]] (1969), and [[Altamont Free Concert]] (1969). The band dissolved in 1972, with members &lt;br /&gt;
going on to form [[Jefferson Starship]] and [[Hot Tuna]].&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
&lt;br /&gt;
=== Formation (1965–1966) ===&lt;br /&gt;
&lt;br /&gt;
The band was founded in San Francisco in 1965 by vocalist and rhythm guitarist &amp;#039;&amp;#039;&amp;#039;Marty Balin&amp;#039;&amp;#039;&amp;#039; &lt;br /&gt;
and guitarist &amp;#039;&amp;#039;&amp;#039;Paul Kantner&amp;#039;&amp;#039;&amp;#039;. Balin had previously run a folk club called the Matrix in &lt;br /&gt;
North Beach. The original lineup also included lead guitarist &amp;#039;&amp;#039;&amp;#039;Jorma Kaukonen&amp;#039;&amp;#039;&amp;#039;, bassist &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Jack Casady&amp;#039;&amp;#039;&amp;#039;, drummer &amp;#039;&amp;#039;&amp;#039;Skip Spence&amp;#039;&amp;#039;&amp;#039;, and vocalist &amp;#039;&amp;#039;&amp;#039;Signe Toly Anderson&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
The band took their name from a piece of slang — a &amp;quot;Jefferson Airplane&amp;quot; referred to a &lt;br /&gt;
split matchstick used to hold a too-short marijuana cigarette. They became regulars at the &lt;br /&gt;
Fillmore Auditorium and quickly built a following within the burgeoning Haight-Ashbury scene.&lt;br /&gt;
&lt;br /&gt;
Their debut album, &amp;#039;&amp;#039;[[Jefferson Airplane Takes Off]]&amp;#039;&amp;#039; (1966), was recorded for RCA Victor &lt;br /&gt;
and featured Anderson on lead vocals. It was a respectable commercial entry, though it gave &lt;br /&gt;
little indication of the impact to come.&lt;br /&gt;
&lt;br /&gt;
=== Breakthrough with &amp;#039;&amp;#039;Surrealistic Pillow&amp;#039;&amp;#039; (1967) ===&lt;br /&gt;
&lt;br /&gt;
The most transformative change to the lineup came when Signe Anderson left the band following &lt;br /&gt;
the birth of her child, and Skip Spence departed to form [[Moby Grape]]. Anderson was replaced &lt;br /&gt;
by &amp;#039;&amp;#039;&amp;#039;Grace Slick&amp;#039;&amp;#039;&amp;#039;, formerly of The Great Society, who brought with her two songs from that &lt;br /&gt;
band: &amp;quot;[[Somebody to Love]]&amp;quot; and &amp;quot;[[White Rabbit]]&amp;quot;. Drummer &amp;#039;&amp;#039;&amp;#039;Spencer Dryden&amp;#039;&amp;#039;&amp;#039; joined &lt;br /&gt;
simultaneously.&lt;br /&gt;
&lt;br /&gt;
The resulting album, &amp;#039;&amp;#039;[[Surrealistic Pillow]]&amp;#039;&amp;#039; (1967), became one of the defining records &lt;br /&gt;
of the psychedelic era. (See dedicated section below.)&lt;br /&gt;
&lt;br /&gt;
=== Peak years (1968–1969) ===&lt;br /&gt;
&lt;br /&gt;
The band released a string of increasingly experimental albums following their commercial peak. &lt;br /&gt;
&amp;#039;&amp;#039;[[After Bathing at Baxter&amp;#039;s]]&amp;#039;&amp;#039; (1967) was a sprawling, avant-garde departure, divided into &lt;br /&gt;
&amp;quot;suites&amp;quot; and featuring extended improvisation. &amp;#039;&amp;#039;[[Crown of Creation]]&amp;#039;&amp;#039; (1968) was more &lt;br /&gt;
structured and drew on science fiction themes.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;[[Volunteers (Jefferson Airplane album)|Volunteers]]&amp;#039;&amp;#039; (1969) was their most overtly &lt;br /&gt;
political record, released in the immediate aftermath of Woodstock, where the band had &lt;br /&gt;
delivered a chaotic but memorable dawn performance. The title track became an anthem of &lt;br /&gt;
the era&amp;#039;s radical politics.&lt;br /&gt;
&lt;br /&gt;
=== Decline and dissolution (1970–1972) ===&lt;br /&gt;
&lt;br /&gt;
Internal tensions mounted in the early 1970s. Marty Balin, a founding member, largely &lt;br /&gt;
withdrew from the band by 1971 following creative disagreements. Kaukonen and Casady &lt;br /&gt;
devoted increasing energy to their blues-oriented side project, [[Hot Tuna]]. &lt;br /&gt;
&lt;br /&gt;
The album &amp;#039;&amp;#039;[[Bark (album)|Bark]]&amp;#039;&amp;#039; (1971) was the first released on the band&amp;#039;s own &lt;br /&gt;
Grunt Records label, but it met with diminished commercial and critical returns. &lt;br /&gt;
&amp;#039;&amp;#039;[[Long John Silver (album)|Long John Silver]]&amp;#039;&amp;#039; (1972) followed before the band &lt;br /&gt;
officially dissolved. &lt;br /&gt;
&lt;br /&gt;
Kantner and Slick continued under the name &amp;#039;&amp;#039;&amp;#039;Jefferson Starship&amp;#039;&amp;#039;&amp;#039;, which achieved &lt;br /&gt;
considerable commercial success through the late 1970s and beyond.&lt;br /&gt;
&lt;br /&gt;
== &amp;#039;&amp;#039;Surrealistic Pillow&amp;#039;&amp;#039; (1967) ==&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;float:right; margin:0 0 1em 1em; border:1px solid #aaa; background:#f9f9f9; padding:8px; width:260px; font-size:0.9em; line-height:1.6em;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; style=&amp;quot;background:#ccc; text-align:center; padding:6px; font-size:1.1em;&amp;quot; | Surrealistic Pillow&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;text-align:center; padding:6px;&amp;quot; | [[File:surrealistic_pillow.jpg|240px|Surrealistic Pillow album cover]]&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Artist&lt;br /&gt;
| Jefferson Airplane&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Released&lt;br /&gt;
| February 1, 1967&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Recorded&lt;br /&gt;
| November 1966&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Studio&lt;br /&gt;
| RCA Studio A, Hollywood&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Genre&lt;br /&gt;
| Psychedelic rock, acid rock, folk rock&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Length&lt;br /&gt;
| 34:19&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Label&lt;br /&gt;
| RCA Victor&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Producer&lt;br /&gt;
| Rick Jarrard&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Preceded by&lt;br /&gt;
| &amp;#039;&amp;#039;[[Jefferson Airplane Takes Off]]&amp;#039;&amp;#039; (1966)&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;font-weight:bold; padding:4px 8px;&amp;quot; | Followed by&lt;br /&gt;
| &amp;#039;&amp;#039;[[After Bathing at Baxter&amp;#039;s]]&amp;#039;&amp;#039; (1967)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Surrealistic Pillow&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the second studio album by Jefferson Airplane, released on &lt;br /&gt;
February 1, 1967 on RCA Victor. Produced by Rick Jarrard, it was the band&amp;#039;s commercial and &lt;br /&gt;
artistic breakthrough, reaching number 3 on the &amp;#039;&amp;#039;Billboard&amp;#039;&amp;#039; 200 chart and remaining on &lt;br /&gt;
the chart for over a year. It is considered one of the quintessential albums of the &lt;br /&gt;
San Francisco psychedelic era.&lt;br /&gt;
&lt;br /&gt;
The album&amp;#039;s title was reportedly suggested by [[Jerry Garcia]] of the [[Grateful Dead]], &lt;br /&gt;
who served as an informal musical consultant during recording. Garcia is credited as &lt;br /&gt;
&amp;quot;spiritual advisor&amp;quot; in the liner notes.&lt;br /&gt;
&lt;br /&gt;
=== Background ===&lt;br /&gt;
&lt;br /&gt;
The arrival of Grace Slick from [[The Great Society]] was the catalyst for the album&amp;#039;s &lt;br /&gt;
distinctive character. Slick brought commanding vocal authority and two fully realised &lt;br /&gt;
compositions that would become the album&amp;#039;s signature tracks. The combination of Slick&amp;#039;s &lt;br /&gt;
and Marty Balin&amp;#039;s contrasting vocal styles — her steely, almost operatic delivery against &lt;br /&gt;
his warmer, more plaintive folk tenor — gave the album an unusual tonal range.&lt;br /&gt;
&lt;br /&gt;
Recording took place at RCA Studio A in Hollywood in November 1966. The sessions were &lt;br /&gt;
relatively tight by psychedelic-era standards, and the album has a more polished production &lt;br /&gt;
feel than the free-form experimentation the band would pursue on subsequent records.&lt;br /&gt;
&lt;br /&gt;
=== Track listing ===&lt;br /&gt;
&lt;br /&gt;
==== Side one ====&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;border-collapse:collapse; width:100%; font-size:0.9em;&amp;quot;&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | #&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | Title&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | Writer(s)&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | Lead vocal&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | Length&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;She Has Funny Cars&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Jorma Kaukonen, Marty Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin, Slick&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 2:39&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 2&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;Somebody to Love&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Darby Slick&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Grace Slick&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 2:58&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 3&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;My Best Friend&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Skip Spence&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 2:02&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 4&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;Today&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin, Kantner&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 3:03&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 5&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;Comin&amp;#039; Back to Me&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 5:00&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==== Side two ====&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;border-collapse:collapse; width:100%; font-size:0.9em;&amp;quot;&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | #&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | Title&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | Writer(s)&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | Lead vocal&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; text-align:left; background:#eee;&amp;quot; | Length&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 6&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;How Do You Feel&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Tom Mastin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 3:05&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 7&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;Embryonic Journey&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Kaukonen&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;(instrumental)&amp;#039;&amp;#039;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 2:05&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 8&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;White Rabbit&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Grace Slick&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Slick&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 2:31&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 9&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;quot;Plastic Fantastic Lover&amp;quot;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 2:36&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Notable tracks ===&lt;br /&gt;
&lt;br /&gt;
==== &amp;quot;Somebody to Love&amp;quot; ====&lt;br /&gt;
&lt;br /&gt;
Originally written and recorded by [[The Great Society]] under the title &amp;quot;Someone to Love&amp;quot;, &lt;br /&gt;
the song was composed by Grace Slick&amp;#039;s then-brother-in-law Darby Slick. Jefferson Airplane&amp;#039;s &lt;br /&gt;
version, re-arranged and re-titled, was released as a single in April 1967 and reached &lt;br /&gt;
number 5 on the &amp;#039;&amp;#039;Billboard&amp;#039;&amp;#039; Hot 100. Grace Slick&amp;#039;s forceful vocal performance transformed &lt;br /&gt;
the song&amp;#039;s folk-rock template into something far more urgent and electric. The song became &lt;br /&gt;
one of the anthems of the Summer of Love.&lt;br /&gt;
&lt;br /&gt;
==== &amp;quot;White Rabbit&amp;quot; ====&lt;br /&gt;
&lt;br /&gt;
Written entirely by Grace Slick, &amp;quot;White Rabbit&amp;quot; draws on the imagery of [[Lewis Carroll]]&amp;#039;s &lt;br /&gt;
&amp;#039;&amp;#039;Alice&amp;#039;s Adventures in Wonderland&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Through the Looking-Glass&amp;#039;&amp;#039; as a vehicle for &lt;br /&gt;
psychedelic allusion. The song builds from a quiet, bolero-like opening — influenced, &lt;br /&gt;
Slick has said, by [[Miles Davis]]&amp;#039;s &amp;#039;&amp;#039;[[Sketches of Spain]]&amp;#039;&amp;#039; — to a climactic final line &lt;br /&gt;
delivered at full force. Released as the B-side to &amp;quot;Somebody to Love&amp;quot; before becoming a &lt;br /&gt;
hit in its own right, it reached number 8 on the Hot 100.&lt;br /&gt;
&lt;br /&gt;
The song&amp;#039;s use of Carroll&amp;#039;s imagery — mushrooms, pills, talking animals — was widely &lt;br /&gt;
understood as an endorsement of drug use, and it was among the first rock songs to deal &lt;br /&gt;
with the subject using literary metaphor rather than direct reference.&lt;br /&gt;
&lt;br /&gt;
==== &amp;quot;Embryonic Journey&amp;quot; ====&lt;br /&gt;
&lt;br /&gt;
A solo acoustic guitar piece by Jorma Kaukonen, &amp;quot;Embryonic Journey&amp;quot; stands apart from &lt;br /&gt;
the rest of the album in both texture and intent. A piece of intricate fingerpicking &lt;br /&gt;
in an open tuning, it demonstrates Kaukonen&amp;#039;s roots in acoustic blues and anticipates &lt;br /&gt;
the direction he and Jack Casady would pursue with [[Hot Tuna]].&lt;br /&gt;
&lt;br /&gt;
=== Reception and legacy ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Surrealistic Pillow&amp;#039;&amp;#039; was both a critical and commercial success on release, reaching &lt;br /&gt;
number 3 on the &amp;#039;&amp;#039;Billboard&amp;#039;&amp;#039; 200. It has since been consistently cited as one of the &lt;br /&gt;
most important albums of the 1960s. &amp;#039;&amp;#039;Rolling Stone&amp;#039;&amp;#039; magazine placed it among the &lt;br /&gt;
500 greatest albums of all time in multiple iterations of their list.&lt;br /&gt;
&lt;br /&gt;
The album is widely credited with bringing the San Francisco psychedelic sound to &lt;br /&gt;
mainstream American audiences, predating the Summer of Love by several months and &lt;br /&gt;
helping to shape the cultural climate of that year.&lt;br /&gt;
&lt;br /&gt;
== Members ==&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;border-collapse:collapse; width:100%; font-size:0.9em;&amp;quot;&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; background:#eee; text-align:left;&amp;quot; | Name&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; background:#eee; text-align:left;&amp;quot; | Role&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; background:#eee; text-align:left;&amp;quot; | Years active&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Marty Balin&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Vocals, rhythm guitar, founding member&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1965–1971&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Paul Kantner&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Rhythm guitar, vocals&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1965–1972&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Jorma Kaukonen&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Lead guitar&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1965–1972&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Jack Casady&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Bass guitar&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1965–1972&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Grace Slick&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Vocals, keyboards&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1966–1972&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Spencer Dryden&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Drums&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1966–1970&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Skip Spence&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Drums (original)&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1965–1966&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Signe Toly Anderson&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Vocals (original)&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1965–1966&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Discography ==&lt;br /&gt;
&lt;br /&gt;
=== Studio albums ===&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;border-collapse:collapse; width:100%; font-size:0.9em;&amp;quot;&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; background:#eee; text-align:left;&amp;quot; | Year&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; background:#eee; text-align:left;&amp;quot; | Album&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; background:#eee; text-align:left;&amp;quot; | Label&lt;br /&gt;
! style=&amp;quot;border:1px solid #ccc; padding:6px; background:#eee; text-align:left;&amp;quot; | US chart peak&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1966&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;[[Jefferson Airplane Takes Off]]&amp;#039;&amp;#039;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | RCA Victor&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | #128&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1967&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;[[Surrealistic Pillow]]&amp;#039;&amp;#039;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | RCA Victor&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | #3&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1967&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;[[After Bathing at Baxter&amp;#039;s]]&amp;#039;&amp;#039;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | RCA Victor&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | #17&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1968&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;[[Crown of Creation]]&amp;#039;&amp;#039;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | RCA Victor&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | #6&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1969&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;[[Bless Its Pointed Little Head]]&amp;#039;&amp;#039; (live)&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | RCA Victor&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | #17&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1969&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;[[Volunteers (Jefferson Airplane album)|Volunteers]]&amp;#039;&amp;#039;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | RCA Victor&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | #13&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1971&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;[[Bark (album)|Bark]]&amp;#039;&amp;#039;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Grunt Records&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | #11&lt;br /&gt;
|-&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | 1972&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | &amp;#039;&amp;#039;[[Long John Silver (album)|Long John Silver]]&amp;#039;&amp;#039;&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | Grunt Records&lt;br /&gt;
| style=&amp;quot;border:1px solid #ccc; padding:5px 8px;&amp;quot; | #20&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
&lt;br /&gt;
* [[Jefferson Starship]]&lt;br /&gt;
* [[Hot Tuna]]&lt;br /&gt;
* [[Grace Slick]]&lt;br /&gt;
* [[San Francisco psychedelic scene]]&lt;br /&gt;
* [[Summer of Love]]&lt;br /&gt;
* [[Monterey Pop Festival]]&lt;br /&gt;
* [[Woodstock]]&lt;br /&gt;
* [[Grateful Dead]]&lt;br /&gt;
&lt;br /&gt;
[[Category:American rock bands]]&lt;br /&gt;
[[Category:Psychedelic rock groups]]&lt;br /&gt;
[[Category:Musical groups from San Francisco]]&lt;br /&gt;
[[Category:1960s music]]&lt;br /&gt;
[[Category:RCA Victor artists]]&lt;/div&gt;</summary>
		<author><name>Jasongeek</name></author>
	</entry>
</feed>