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===Consolidation and Critical Rehabilitation (2013β2017)=== ''Ultraviolence'' (2014), produced by [[The Black Keys]]' [[Dan Auerbach]], marked a decisive sonic shift toward guitar-driven dream pop and a rawer, more understated production aesthetic. The album debuted at number one in the United States β her first US chart-topper β and was received considerably more warmly by critics who had dismissed ''Born to Die''. Its sound, darker and more static than its predecessor, foregrounded Grant's voice in new ways and introduced a willingness to let silence and space do emotional work. ''Honeymoon'' (2015) deepened the orchestral and cinematic qualities of her work, drawing on influences ranging from [[Ennio Morricone]] to [[Elvis Presley]] to [[Nina Simone]] and producing what many fans consider her most emotionally immersive listening experience, even if it attracted less mainstream attention than ''Ultraviolence''. ''Lust for Life'' (2017), her most overtly political album, incorporated guest appearances from [[The Weeknd]], [[A$AP Rocky]], [[Stevie Nicks]], and [[Sean Lennon]], and reflected a new engagement with contemporary social and political reality that marked an evolution in her artistic identity. It debuted at number one in multiple countries and was received as another significant step forward.
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