Editing Steely Dan

{{Infobox musical artist
| name            = Steely Dan<br>
| origin          = New York City, U.S.
| image           = <!-- File:Steely Dan.jpg -->
| caption         = Steely Dan — formed 1972, Bard College, New York
| genre           = [[Jazz rock]], [[smooth jazz]], [[art rock]], [[soft rock]], [[funk]]
| years_active    = 1972–1981, 1993–present
| label           = [[ABC Records|ABC]], [[MCA Records|MCA]], [[Giant Records|Giant]], [[Reprise Records|Reprise]]
| current_members = [[Donald Fagen]] (1972–present)
| past_members    = [[Walter Becker]] (1972–2017)<br>Jeff Baxter<br>Denny Dias<br>Jim Hodder<br>David Palmer<br>[[Michael McDonald (musician)|Michael McDonald]]
}}

'''Steely Dan''' was an American [[jazz rock]] band formed in 1972 by core duo [[Walter Becker]] and [[Donald Fagen]]. Emerging from the [[Bard College]] friendship of its two principals, the group became one of the most critically celebrated and commercially successful acts of the 1970s, distinguished by their meticulous studio craftsmanship, sophisticated harmonic language, and sardonic, literary lyrics.<ref>Kot, Greg. ''Rolling Stone'', 2001.</ref>

Over the course of seven studio albums released between 1972 and 1980, Steely Dan blended elements of jazz, [[rock music|rock]], [[rhythm and blues|R&B]], and [[pop music|pop]] into a sui generis style that proved both critically admired and commercially potent. After an extended hiatus, Becker and Fagen reunited in the 1990s, releasing ''Two Against Nature'' (2000), which won four [[Grammy Award]]s including [[Grammy Award for Album of the Year|Album of the Year]]. The band was inducted into the [[Rock and Roll Hall of Fame]] in 2001.<ref>Rock and Roll Hall of Fame, Inductee Profile, 2001.</ref>

==History==

===Formation and early years (1972–1974)===
Walter Becker and Donald Fagen first met in 1967 at [[Bard College]] in Annandale-on-Hudson, New York, where Fagen was studying and Becker was a student musician. The two bonded over a shared love of [[jazz]], particularly the work of [[Horace Silver]], [[John Coltrane]], and [[Charles Mingus]], alongside an irreverent affection for classic rock and R&B.<ref>Breithaupt, Don & Jeff. ''Aja''. Continuum, 2007.</ref>

After relocating to New York City and briefly working as staff songwriters for [[ABC-Dunhill Records]], Becker and Fagen moved to [[Los Angeles]], where they assembled a touring band. The original lineup included guitarist [[Jeff "Skunk" Baxter]], guitarist Denny Dias, drummer Jim Hodder, and vocalist David Palmer. The name "Steely Dan" was taken from a steam-powered dildo in [[William S. Burroughs]]' novel ''[[Naked Lunch]]'' (1959), reflecting the duo's literary sensibility and fondness for provocation.<ref>Burroughs, William S. ''Naked Lunch''. Olympia Press, 1959.</ref>

The band's debut album, ''[[Can't Buy a Thrill]]'' (1972), produced by [[Gary Katz (record producer)|Gary Katz]], reached #17 on the [[Billboard 200]] and yielded two Top 20 singles: "[[Do It Again (Steely Dan song)|Do It Again]]" and "[[Reelin' in the Years]]."<ref>''Billboard'' chart archives, 1972–1973.</ref>

===Studio evolution (1974–1977)===
By the mid-1970s, Becker and Fagen had grown weary of touring and resolved to operate exclusively as a studio entity. Beginning with ''[[Pretzel Logic]]'' (1974), they began assembling pools of elite session musicians for each recording rather than maintaining a fixed band—a practice that became their trademark.<ref>Fagen, Donald. "The Steely Dan Story." ''Musician'', 1985.</ref> ''Pretzel Logic'' contained the duo's only US #1 single, "[[Rikki Don't Lose That Number]]," which interpolated the melody from [[Horace Silver]]'s "Song for My Father."

''[[Katy Lied]]'' (1975) and ''[[The Royal Scam]]'' (1976) deepened the group's jazz and funk influences, with ''The Royal Scam'' featuring prominent guitar work from [[Larry Carlton]]. The albums cemented Steely Dan's reputation for dense, intricate arrangements and mordant lyrics exploring themes of decadence, failed idealism, and the American dream.<ref>Wild, David. ''Steely Dan: Reelin' in the Years''. Omnibus Press, 1996.</ref>

The group's commercial and artistic peak arrived with ''[[Aja (album)|Aja]]'' (1977), widely considered one of the finest albums in popular music history. Recorded over two years with more than 40 session musicians, ''Aja'' reached #3 on the Billboard 200 and won the [[Grammy Award for Best Engineered Recording, Non-Classical]] and the [[Grammy Award for Album of the Year]].<ref>Grammy Archive, 1978 ceremony.</ref> The album's sophisticated production, featuring musicians such as [[Wayne Shorter]], [[Joe Sample]], and [[Steve Gadd]], set a new standard for studio pop.

===Later albums and hiatus (1977–1981)===
''[[Gaucho (album)|Gaucho]]'' (1980), recorded under notoriously troubled conditions—including a studio fire, a plagiarism lawsuit, and Becker's personal struggles with addiction—was nonetheless a commercial success, reaching #9 on the Billboard 200.<ref>Browne, David. ''Entertainment Weekly'', 2000.</ref> However, the strain of its protracted creation led Becker and Fagen to dissolve Steely Dan in 1981. Fagen pursued a solo career, releasing ''[[The Nightfly]]'' (1982) to widespread acclaim.

===Reunion and late career (1993–present)===
Becker and Fagen reunited for a concert tour in 1993, their first performances together since the early 1970s. After further touring throughout the decade, they recorded ''[[Two Against Nature]]'', released in February 2000. The album received rapturous reviews and won four Grammy Awards, including Album of the Year—a decision that generated considerable controversy, as fellow nominees included [[Beck (musician)|Beck]]'s ''Mutations'' and [[Radiohead]]'s ''Kid A''.<ref>Grammy Archive, 2001 ceremony.</ref> A follow-up, ''[[Everything Must Go (Steely Dan album)|Everything Must Go]]'', appeared in 2003.

Walter Becker died on September 3, 2017, following complications from esophageal cancer. Fagen subsequently continued performing as Steely Dan with a touring band.<ref>Associated Press, September 3, 2017.</ref>

==Musical style==
Steely Dan's music is characterized by a sophisticated synthesis of [[jazz harmony]], [[funk]] rhythms, and [[pop music|pop]] structure. Their chord progressions frequently employ extended chords—ninths, elevenths, and thirteenths—chromatic passing chords, and modal borrowing drawn from the jazz vocabulary of [[Thelonious Monk]] and [[Miles Davis]].<ref>Milkowski, Bill. ''Jazziz'', 2000.</ref>

Lyrically, Becker and Fagen crafted oblique narratives populated by antiheroes, losers, and morally compromised characters, delivered with a detached irony that resisted easy interpretation. Recurring themes include hedonism, nostalgia, paranoia, failure, and the gap between American aspiration and reality. The pair acknowledged the influence of [[William S. Burroughs]], [[Raymond Chandler]], and [[F. Scott Fitzgerald]] on their lyrical approach.<ref>Fagen, Donald. Interview, ''NPR Fresh Air'', 2012.</ref>

Their perfectionist approach to recording became legendary in the industry. For ''Aja'' alone, they auditioned dozens of drummers before selecting specific players for individual tracks, and multiple takes of a single guitar solo were sometimes assembled from fragments across dozens of attempts.<ref>Buskin, Richard. "Classic Tracks: 'Peg'." ''Sound on Sound'', 2008.</ref>

==Discography==
{{Main|Steely Dan discography}}

===Studio albums===
* ''Can't Buy a Thrill'' (1972)
* ''Countdown to Ecstasy'' (1973)
* ''Pretzel Logic'' (1974)
* ''Katy Lied'' (1975)
* ''The Royal Scam'' (1976)
* ''Aja'' (1977)
* ''Gaucho'' (1980)
* ''Two Against Nature'' (2000)
* ''Everything Must Go'' (2003)

==Legacy and influence==
Steely Dan's influence on popular music has been wide and enduring. Their studio perfectionism anticipated the [[Pro Tools]] era of meticulous digital production; their harmonic sophistication opened a pathway for jazz-inflected rock and adult contemporary music; and their sardonic lyrical voice prefigured the ironic detachment that would come to characterize much alternative and indie rock.<ref>Powers, Ann. ''NPR Music'', 2017.</ref>

A dedicated subculture of listeners and musicians has sustained interest in the duo's work across generations. Steely Dan's recordings are routinely cited by producers, engineers, and audiophiles as benchmark examples of recorded sound quality. Artists as diverse as [[Phoebe Bridgers]], [[Thundercat (musician)|Thundercat]], [[Kendrick Lamar]], and [[LCD Soundsystem]] have cited the group as an influence.<ref>''Pitchfork'' staff. "Artists on Steely Dan," 2019.</ref>

The duo was inducted into the [[Rock and Roll Hall of Fame]] in 2001. ''Aja'' was selected for preservation in the [[Library of Congress]] [[National Recording Registry]] in 2016.<ref>Library of Congress, National Recording Registry, 2016.</ref>

==Awards and accolades==
* [[Grammy Award for Album of the Year]] — ''Aja'' (1978)
* [[Grammy Award for Best Engineered Recording, Non-Classical]] — ''Aja'' (1978)
* [[Grammy Award for Album of the Year]] — ''Two Against Nature'' (2001)
* [[Grammy Award for Best Pop Vocal Album]] — ''Two Against Nature'' (2001)
* [[Grammy Award for Best Engineered Recording, Non-Classical]] — ''Two Against Nature'' (2001)
* [[Grammy Award for Best Pop Performance by a Duo or Group with Vocal]] — "Cousin Dupree" (2001)
* Inducted into the [[Rock and Roll Hall of Fame]] (2001)
* ''Aja'' inducted into the [[Library of Congress National Recording Registry]] (2016)

==References==
{{Reflist}}

[[Category:Musical groups established in 1972]]
[[Category:Jazz rock groups]]
[[Category:Rock and Roll Hall of Fame inductees]]
[[Category:Grammy Award winners]]
[[Category:Musical groups from New York City]]
[[Category:ABC Records artists]]